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“On the second night of our boat trip, the sea went rough and our boat leaked. One of the pumps stopped working and water was pouring in faster than the single pump could take out. The boat was floating in the sea like a matchbox.” Looking back at this photograph, photojournalist Barat Ali Batoor (@bbatoor) recalls his perilous journey in 2012 across the Indian Ocean, seeking refuge from Pakistan.
Batoor is Hazara, a marginalized ethnic group from Afghanistan, his parents’ birth country. He grew up in Pakistan, but moved to Afghanistan to work as a photojournalist. However he found himself targeted in both countries for his ethnicity and his profession and was forced to flee. “I am far from my family, but Melbourne is my home now,” says Batoor, who, after nine months in Indonesia, was relocated to Australia through the UN refugee agency’s resettlement program. “I have been welcomed warmly here. Taking photos of everyday life is important for me now, because when I look back, I see what we had and what we have lost. #WhereIComeFrom, life was uncertain. You never knew whether you would come back home safe.”
Watch our Instagram story to see more photographs of the global refugee crisis, installed in the streets of Melbourne, by the photojournalism collective Dysturb (@dysturb).
Photo by @bbatoor
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Yes, Danling Xiao (@mundane_matters) plays with her food, but she also devours it. “I call it ‘eat-your-own-art,’” the 31-year-old graphic designer says. “I’m really enjoying my zero-waste practice!” Three years ago, she toyed around with her first sculpture, a pumpkin doll, but last year, a stressed and anxious Danling quit her 9-to-5 job in Sydney to focus full time on produce. “Many people think I’m just doing cute fruit art, but what I’m doing reminds us where our food comes from and helps to raise awareness about sustainable living,” she says. Her only tools are a chopping board, toothpicks, a $10 knife and all-natural fruits and veggies — many of which she gets from shopping the “imperfect fruit” section at her local farmers market. They often work best for her quirky designs, anyway. “Imagination is key,” Danling says. “When you can imagine, the world is your oyster.” Photo by @mundane_matters
“Our theme for our journey is ‘How Far From Home’ – to see how far we can actually get,” says Chanel Cartell (@howfarfromhome), who, along with her partner Stevo Dirnberger, recently decided to break out of her comfort zone of monthly paychecks, daily work routines and a beautiful house in Johannesburg. “We quit our jobs in the creative field of advertising, sold all of our belongings and packed up our world into four bags – two filled with camera gear, of course,” says Chanel, adding, “We were no longer feeling challenged; we needed something that would charge the electrolytes running through our veins.” On March 2, Chanel and Stevo waved Johannesburg goodbye and embarked on their year-long journey – armed with a sense of adventure and a “wanderlist.” While having coffee and Sachertorte in Vienna and taking a selfie with an alpaca are already checked off the list, missions like dancing in Berlin, eating Danish pastries in Copenhagen, and sleeping in an igloo are still outstanding. “We encourage fellow travelers and community members to send us challenges that we can add to the wanderlist,” says Chanel. “I think our favorite – or the one we’ll save
for last – is to make it to Hawaii, quite literally the furthest point from home.” Photo by @howfarfromhome
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